Dhoom 3, dhoom 3 trailer, dhoom 3 wallpapers, dhoom 3 release date

Dhoom 3 Trailer with Shahrukh and Amir Khan

Aamir, The Bad Guy In Dhoom 3

Aamir Stars In Dhoom 3

Dhoom 3 is the latest hindi movie. After doing lot of lover guy roles for Yash raj Films banner, and this time he will can be seen in a negative role, after Bazigar, Darr and DON. Check back soon for the Dhoom 3 synopsis and preview. Yash Raj has news to the banner, adding that he won’t be able to give dates till late next year.




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Dhoom 3, dhoom 3 trailer, dhoom 3 wallpapers, dhoom 3 release date

Dhoom 3 Trailer with Shahrukh and Amir Khan

Aamir, The Bad Guy In Dhoom 3

Aamir Stars In Dhoom 3

Dhoom 3 is the latest hindi movie. After doing lot of lover guy roles for Yash raj Films banner, and this time he will can be seen in a negative role, after Bazigar, Darr and DON. Check back soon for the Dhoom 3 synopsis and preview. Yash Raj has news to the banner, adding that he won’t be able to give dates till late next year.




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Yeh Faasley Movie Review. Hot Pix Pux

Yeh Faasley - Bollywood Film Review - Anupam Kher, Pawan Malhotra, Tena Desae & Rushad Rana

Aah, now this one could really have been better. This is what one ends up exclaiming as the concluding reels of 'Yeh Faasley' start running. Reason being that what seemed to be a really promising idea, as conveyed through intriguing promos, turns out to be something that wasn't fleshed out to the fullest. Ultimately what one ends up seeing is a movie that would have been better off had it been made as a tele-film or an hour long 'Saturday night suspense' kinda show for television.

To think of it, the premise of 'Yeh Faasley' (leave aside a really weak and an inconclusive/non-enticing title) was quite decent. A girl (Tena Desai) really close to her father (Anupam Kher) only to realise that he could possibly have been a murderer of her mother - now there haven't been stories on the same subject shown on the big screen in the past.

Of course the genre by itself isn't anything overtly original; after all there have been instances of such films made in the past when a close relative/friend is suspected of being a murderer. However when a first time director comes on board, in this case being Yogesh Mittal, you always have some good hopes that there would be some new story telling at least. Reason being that there are fresh ideas taking form all over the industry today (case in point being 'Tanu Weds Manu' that released recently). With the knack of making even common stories interesting by means of the way they are being told, even the common subjects start looking interesting on screen if presented well.

Unfortunately for 'Yeh Faasley' though, this isn't really the case as the film fumbles, especially due to the curse of the second half (which by the way is getting more and more troublesome in last couple of years especially). Hence, what starts off with a promise of an interesting tale only leads one to boredom as it progresses. Now that's particularly disappointing because in a suspense drama, one actually looks forward to the graph only going up as the story reaches it's culmination. It doesn't happen in case of 'Yeh Faasley' due to which as a audience you truly feel that if only there was more meat put into the written material, Yogesh would have managed to make the film half-interesting at the least.

Not that the film is a total let down though. Leaving aside the fact that you aren't quite engrossed with the tale, especially during it's latter moments, there are portions in the first half of the film which do bring you on the edge of the seat. Tena realising that there is something really wrong with her father, his aversion at not quite letting out the truth, their conversations that seem to be meeting abrupt ends, her own investigation as she comes across various people with whom her mother had interacted in the past, Kher being tried in the court of law - one does stay on with the characters here in the quest of 'right' v/s 'wrong'. However as stated earlier, for any suspense drama to work, there has to be a good enough culmination, something which turns out to be a weak link here.

Performances are good here though and that is one silver lining that ensures that 'Yeh Faasley' isn't an unbearable watch. Anupam Kher in a central role is quite good yet again and showcases that he deserves to be seen in more deserving parts. Tena is decent though one wonders how far would she go from here as in 'Yeh Faasley' she isn't seen as a quintessential leading lady. Pawan Malhotra is reliable as well while Rushad Rana is decent. Technically, the film is just average, whether in terms of production values, cinematography or music.

sourse by:-  http://www.indiaglitz.com

Over and above the fact that 'Yeh Faasley' isn't quite a film that makes it to the top of the must watch activities over the weekend, another factor that would severely hamper it's prospects is a near-to-nil promotion. With nothing known about the film and no one knowing if this film has even released, 'Yeh Faasley' would largely go unnoticed.

Yeh Faasley Movie Review. Hot Pix Pux

Yeh Faasley - Bollywood Film Review - Anupam Kher, Pawan Malhotra, Tena Desae & Rushad Rana

Aah, now this one could really have been better. This is what one ends up exclaiming as the concluding reels of 'Yeh Faasley' start running. Reason being that what seemed to be a really promising idea, as conveyed through intriguing promos, turns out to be something that wasn't fleshed out to the fullest. Ultimately what one ends up seeing is a movie that would have been better off had it been made as a tele-film or an hour long 'Saturday night suspense' kinda show for television.

To think of it, the premise of 'Yeh Faasley' (leave aside a really weak and an inconclusive/non-enticing title) was quite decent. A girl (Tena Desai) really close to her father (Anupam Kher) only to realise that he could possibly have been a murderer of her mother - now there haven't been stories on the same subject shown on the big screen in the past.

Of course the genre by itself isn't anything overtly original; after all there have been instances of such films made in the past when a close relative/friend is suspected of being a murderer. However when a first time director comes on board, in this case being Yogesh Mittal, you always have some good hopes that there would be some new story telling at least. Reason being that there are fresh ideas taking form all over the industry today (case in point being 'Tanu Weds Manu' that released recently). With the knack of making even common stories interesting by means of the way they are being told, even the common subjects start looking interesting on screen if presented well.

Unfortunately for 'Yeh Faasley' though, this isn't really the case as the film fumbles, especially due to the curse of the second half (which by the way is getting more and more troublesome in last couple of years especially). Hence, what starts off with a promise of an interesting tale only leads one to boredom as it progresses. Now that's particularly disappointing because in a suspense drama, one actually looks forward to the graph only going up as the story reaches it's culmination. It doesn't happen in case of 'Yeh Faasley' due to which as a audience you truly feel that if only there was more meat put into the written material, Yogesh would have managed to make the film half-interesting at the least.

Not that the film is a total let down though. Leaving aside the fact that you aren't quite engrossed with the tale, especially during it's latter moments, there are portions in the first half of the film which do bring you on the edge of the seat. Tena realising that there is something really wrong with her father, his aversion at not quite letting out the truth, their conversations that seem to be meeting abrupt ends, her own investigation as she comes across various people with whom her mother had interacted in the past, Kher being tried in the court of law - one does stay on with the characters here in the quest of 'right' v/s 'wrong'. However as stated earlier, for any suspense drama to work, there has to be a good enough culmination, something which turns out to be a weak link here.

Performances are good here though and that is one silver lining that ensures that 'Yeh Faasley' isn't an unbearable watch. Anupam Kher in a central role is quite good yet again and showcases that he deserves to be seen in more deserving parts. Tena is decent though one wonders how far would she go from here as in 'Yeh Faasley' she isn't seen as a quintessential leading lady. Pawan Malhotra is reliable as well while Rushad Rana is decent. Technically, the film is just average, whether in terms of production values, cinematography or music.

sourse by:-  http://www.indiaglitz.com

Over and above the fact that 'Yeh Faasley' isn't quite a film that makes it to the top of the must watch activities over the weekend, another factor that would severely hamper it's prospects is a near-to-nil promotion. With nothing known about the film and no one knowing if this film has even released, 'Yeh Faasley' would largely go unnoticed.

Monica Movie Review. Hot Pix Pux

director Sushen Bhatnagar has earlier made a film called 'Soch' (Danny Denzongpa, Arbaaz Khan, Sanjay Kapoor, Raveena Tandon) [2002] which was again a dramatic thriller and had it's moments for most part of it. Now around a decade later with 'Monica', he has taken a big step ahead.

To begin with though, you don't have many expectations from 'Monica'. Reason being that there is absolutely nothing known about the film at all. Worse, since its promotion has been zilch, you do end up believing if the makers too thought that it wasn't worthy enough to spend any amount prior to release.

However, the perception about 'Monica' completely changes within 10 minutes of the film's beginning. Even better, the storyline is absolutely original which means you can't really guess what next would be on the anvil.

Based on a real life political turmoil that had shook the nation a few years back when a top politician was embroiled in a telecom scam and a young female journalist was murdered, 'Monica' doesn't take names but exposes the nexus between politicians (Ashutosh Rana), media (Divya Dutta, Tinnu Anand), power brokers (Dadhi Pandey) and industrialists (Kittu Gidwani). In fact so smart has been this depiction that despite a similar theme being exposed in dozens of other films, the going-ons in 'Monica' stay on to be top notch which keep you glued on to the screen. To add to this, there is a brilliant culmination around this nexus when it is depicted on a black board and a piece of chalk by a competent lawyer (Yashpal Sharma) who wants to expose the reason behind the murder at all cost.

To keep the narrative engrossing, most of the first half of the film is set as a court room drama. The film opens with the murder of Monica and then goes into a flashback mode around what could possibly have happened. This is where director Sushen Bhatnagar plays a smart game where he brings in elements of facts and fiction and intersperses layers of assumptions/perceptions into it to come up with a cohesive narrative.


There are places in the film though where things become a little confusing. Since there is constant movement between present times and flashback, at times one tends to loose track of beginning of one scene and ending of another. Also, there is constant to and from between locations and time due to which one has to be very attentive about the proceedings. Even the story comes with it's own complexity and since audience is used to seeing a linear narrative, at times one looses track of who is siding whom as well as the perception around right or wrong. Nothing wrong with Sushen's intent though; however if only the narrative was kept a little simpler at least, it would have made 'Monica' a far comfortable watch.

Nevertheless, leading these factors aside, the fact remains that 'Monica' is a film that entertains and keeps you staring at the screen with eyes wide open for most of it's duration. Credit for that should go to able direction, unpredictable storyline, smart dialogues (which have liberal use of expletives - all in English) and top notch acts by Divya Dutta and Ashutosh Rana. Really, these two actors are the pillars of the film and make you wonder why are they not seen on the big screen more often. They deserve that for sure.

Even supporting cast does full justice to their parts with Yashpal Sharma leading the pack with a serious positive role, Dadhi Pandey impressing with his cool menacing act, Kittu Gidwani at her seductress best with Tinnu Anand being reliable as always.

First thing that strikes you about 'Monica' is the fact that it isn't really a B grade affair that you were dreading all this while. In fact the initial reels remind you of films like 'Seher' and 'Satta', not from the genre or setting perspective but treatment. This is one of those medium budget films where focus is on drama more than any technical wizardry and this is where the win of 'Monica' lies.


monica movie review, hindi movie review,glamsham movie reviews, new hindi movie review, movie reviews critics,

Tags:-monica velour, hindi movies rating, movie review india, movie reviews and rating, movie review critics, hindi films review,

Monica Movie Review. Hot Pix Pux

director Sushen Bhatnagar has earlier made a film called 'Soch' (Danny Denzongpa, Arbaaz Khan, Sanjay Kapoor, Raveena Tandon) [2002] which was again a dramatic thriller and had it's moments for most part of it. Now around a decade later with 'Monica', he has taken a big step ahead.

To begin with though, you don't have many expectations from 'Monica'. Reason being that there is absolutely nothing known about the film at all. Worse, since its promotion has been zilch, you do end up believing if the makers too thought that it wasn't worthy enough to spend any amount prior to release.

However, the perception about 'Monica' completely changes within 10 minutes of the film's beginning. Even better, the storyline is absolutely original which means you can't really guess what next would be on the anvil.

Based on a real life political turmoil that had shook the nation a few years back when a top politician was embroiled in a telecom scam and a young female journalist was murdered, 'Monica' doesn't take names but exposes the nexus between politicians (Ashutosh Rana), media (Divya Dutta, Tinnu Anand), power brokers (Dadhi Pandey) and industrialists (Kittu Gidwani). In fact so smart has been this depiction that despite a similar theme being exposed in dozens of other films, the going-ons in 'Monica' stay on to be top notch which keep you glued on to the screen. To add to this, there is a brilliant culmination around this nexus when it is depicted on a black board and a piece of chalk by a competent lawyer (Yashpal Sharma) who wants to expose the reason behind the murder at all cost.

To keep the narrative engrossing, most of the first half of the film is set as a court room drama. The film opens with the murder of Monica and then goes into a flashback mode around what could possibly have happened. This is where director Sushen Bhatnagar plays a smart game where he brings in elements of facts and fiction and intersperses layers of assumptions/perceptions into it to come up with a cohesive narrative.


There are places in the film though where things become a little confusing. Since there is constant movement between present times and flashback, at times one tends to loose track of beginning of one scene and ending of another. Also, there is constant to and from between locations and time due to which one has to be very attentive about the proceedings. Even the story comes with it's own complexity and since audience is used to seeing a linear narrative, at times one looses track of who is siding whom as well as the perception around right or wrong. Nothing wrong with Sushen's intent though; however if only the narrative was kept a little simpler at least, it would have made 'Monica' a far comfortable watch.

Nevertheless, leading these factors aside, the fact remains that 'Monica' is a film that entertains and keeps you staring at the screen with eyes wide open for most of it's duration. Credit for that should go to able direction, unpredictable storyline, smart dialogues (which have liberal use of expletives - all in English) and top notch acts by Divya Dutta and Ashutosh Rana. Really, these two actors are the pillars of the film and make you wonder why are they not seen on the big screen more often. They deserve that for sure.

Even supporting cast does full justice to their parts with Yashpal Sharma leading the pack with a serious positive role, Dadhi Pandey impressing with his cool menacing act, Kittu Gidwani at her seductress best with Tinnu Anand being reliable as always.

First thing that strikes you about 'Monica' is the fact that it isn't really a B grade affair that you were dreading all this while. In fact the initial reels remind you of films like 'Seher' and 'Satta', not from the genre or setting perspective but treatment. This is one of those medium budget films where focus is on drama more than any technical wizardry and this is where the win of 'Monica' lies.


monica movie review, hindi movie review,glamsham movie reviews, new hindi movie review, movie reviews critics,

Tags:-monica velour, hindi movies rating, movie review india, movie reviews and rating, movie review critics, hindi films review,

Happy Husbands (Trailer). Hot Pix Pux,

There are bad films and there will be bad films but this one takes the cake. In fact in front of 'Happy Husbands', you end up wondering whether another small time film called 'Impatient Vivek' (again featuring a bunch of non-actors) which had released a few months back was far more engrossing.

To say that 'Happy Husbands' is regressive would be stating the obvious. This is a world where men are allowed 'freedom' to go and explore the outside world (stated number of times as 'having fun') while women are relegated to home, cooking meals (in case of debutant actor Anay, lots and lots of 'tamaatar') and then readily forgive them even after catching them red handed.

So we have Anay who doesn't seem to be having any real job per se but is shown to be running a men's only club called 'Happy Husbands' where his prime job is to give motivational lectures to all those husbands out there who want to explore fun in the lives. Three such men are Mohit Ghai, Ahwaan and Kurush Deboo who are enjoying a happy married life but do get carried away by temptations. While Anay does teach them the tricks of the trade to get away from their monotonous lifestyles, he has his own story of infidelity to tell as well.

As for the girls in the film, none of them really boast of a well defined characterisation or length of role. In fact in the film women totally take a backseat with the four male protagonists occupying centre stage. However they are such a put off on screen, the worst culprit here being the debutant leading man himself, that there is no interest left whatsoever in going through this torture from which you get a break only when you are lucky enough to fall asleep.

Whether it is the structuring of scenes, dialogues, sets, shot taking and most importantly acting, 'Happy Husbands' takes an honour of some collective failure here. The film just doesn't have a storyline per se and all you see is one scene coming after another without any major attempt being made to have it all in a cohesive manner. Also, the scenes are such that they only make you cringe and feel disgusted.

One has to hand it over to debutant Anay here. The youngster appears to be totally convinced with the idea of making his entry into Bollywood. So much so that he not just acts and directs 'Happy Husbands', he also goes on to be the dialogue and screenplay writer as well as editor of the film. Hold on, there is more to come. He also does an all around job in the music department by handling music, lyrics, background score as well as playback singing. And to give it all an all around view, he also turns costume designer here.

Phew, now that leaves even Manoj Kumar far behind who actually used to multi task for most of his films. However for Anay though, it is an all around disaster as he goes on to make a mess of it all and in turns becomes responsible for all the mayhem that follows.

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Happy Husbands (Trailer). Hot Pix Pux,

There are bad films and there will be bad films but this one takes the cake. In fact in front of 'Happy Husbands', you end up wondering whether another small time film called 'Impatient Vivek' (again featuring a bunch of non-actors) which had released a few months back was far more engrossing.

To say that 'Happy Husbands' is regressive would be stating the obvious. This is a world where men are allowed 'freedom' to go and explore the outside world (stated number of times as 'having fun') while women are relegated to home, cooking meals (in case of debutant actor Anay, lots and lots of 'tamaatar') and then readily forgive them even after catching them red handed.

So we have Anay who doesn't seem to be having any real job per se but is shown to be running a men's only club called 'Happy Husbands' where his prime job is to give motivational lectures to all those husbands out there who want to explore fun in the lives. Three such men are Mohit Ghai, Ahwaan and Kurush Deboo who are enjoying a happy married life but do get carried away by temptations. While Anay does teach them the tricks of the trade to get away from their monotonous lifestyles, he has his own story of infidelity to tell as well.

As for the girls in the film, none of them really boast of a well defined characterisation or length of role. In fact in the film women totally take a backseat with the four male protagonists occupying centre stage. However they are such a put off on screen, the worst culprit here being the debutant leading man himself, that there is no interest left whatsoever in going through this torture from which you get a break only when you are lucky enough to fall asleep.

Whether it is the structuring of scenes, dialogues, sets, shot taking and most importantly acting, 'Happy Husbands' takes an honour of some collective failure here. The film just doesn't have a storyline per se and all you see is one scene coming after another without any major attempt being made to have it all in a cohesive manner. Also, the scenes are such that they only make you cringe and feel disgusted.

One has to hand it over to debutant Anay here. The youngster appears to be totally convinced with the idea of making his entry into Bollywood. So much so that he not just acts and directs 'Happy Husbands', he also goes on to be the dialogue and screenplay writer as well as editor of the film. Hold on, there is more to come. He also does an all around job in the music department by handling music, lyrics, background score as well as playback singing. And to give it all an all around view, he also turns costume designer here.

Phew, now that leaves even Manoj Kumar far behind who actually used to multi task for most of his films. However for Anay though, it is an all around disaster as he goes on to make a mess of it all and in turns becomes responsible for all the mayhem that follows.

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Tanu Weds Manu – Movie Review, Hot Pix Pux News

Film: “Tanu Weds Manu”
Starring: R. Madhavan, Kangana Ranaut, Jimmy Shergil, Swara Bhaskar
Director: Anand L. Rai

Why should you watch “Tanu Weds Manu”? For R. Madhavan who will win you heart as a sweet lovable NRI doctor Manu who has the misfortune of falling in love with a Kanpur-girl Tanu (Kangana Ranaut) who not only rejects him as a suitor but also uses him to elope with her ruffian boyfriend.

Hiding his heartbreak and disappointment behind a smile, Madhavan fits into the role of a goody goody NRI like a glove. He is hopelessly in love with Tanuja who doesn’t miss a single opportunity to hurt him. Rules, they say, are meant to be broken and that’s what Tanu’s agenda in life is – to break all rules that a middle-class family swears by.

Well, an NRI coming home to find a suitable bride for him is very common in Indian society and director Anand Rai’s comedy opens with the same. He tries to be as close to reality as possible – from the backdrop, to clothes, to character artists – all bring out the element of a middle-class setup perfectly.

With a marriage in the background providing a perfect place for Tanu’s second chance meeting with Manu, the movie traces the relationship between the girl and the NRI. Surely, perfect material for sentimental romances with ‘comedy ka tadka’.

But there is something missing to make it a perfect romantic comedy. First, the script is punctured, then their is no chemistry between Madhavan and Kangana and if that was not enough, the narrative doesn’t flow at the desired pace – it’s slower than it should be.

Though the director picked up an interesting subject, he has not succeeded in executing his story effectively on screen – there are not enough laughs in the film. Whatever funny scenes are there, credit goes to the chemistry between Madhavan and Deepak Dobriyal who plays his friend Pappi.

Kangana’s dialogue delivery puts you off and she lacks the spunk and spark to play the free bird that she is in the movie. In fact, Swara Bhaskar, who plays her friend Payal, holds the fort as the Bihari girl who is marrying a sardarji (Eijaz Khan) who also happens to be Manu’s best friend.

Payal is impressed with Manu and even tries to drill some sense into Tanu’s head but Tanu, a rebel, doesn’t want to admit her feelings for the man who is picked by her parents.

Critics won’t appreciate the plot but Madhavan fans would find enough material to enjoy the film.

Music plays an important role in a wedding-based romantic comedy and the director could have got it right if he had opted for fast-paced peppy numbers.

In the performance department, full marks go to Madhavan, Deepak and Swara. The supporting cast of K.K. Raina, Rajendra Gupta and Navni Parihar don’t have much to do, but whatever role they have, they carry it well. Jimmy Shergill as Kangana’s ruffian boyfriend is wasted, so is Ravi Kishen as his side kick.


tags:- tanu weds manu, tanu weds manu movie, tanu weds manu cast, manu weds tanu,

Tanu Weds Manu – Movie Review, Hot Pix Pux News

Film: “Tanu Weds Manu”
Starring: R. Madhavan, Kangana Ranaut, Jimmy Shergil, Swara Bhaskar
Director: Anand L. Rai

Why should you watch “Tanu Weds Manu”? For R. Madhavan who will win you heart as a sweet lovable NRI doctor Manu who has the misfortune of falling in love with a Kanpur-girl Tanu (Kangana Ranaut) who not only rejects him as a suitor but also uses him to elope with her ruffian boyfriend.

Hiding his heartbreak and disappointment behind a smile, Madhavan fits into the role of a goody goody NRI like a glove. He is hopelessly in love with Tanuja who doesn’t miss a single opportunity to hurt him. Rules, they say, are meant to be broken and that’s what Tanu’s agenda in life is – to break all rules that a middle-class family swears by.

Well, an NRI coming home to find a suitable bride for him is very common in Indian society and director Anand Rai’s comedy opens with the same. He tries to be as close to reality as possible – from the backdrop, to clothes, to character artists – all bring out the element of a middle-class setup perfectly.

With a marriage in the background providing a perfect place for Tanu’s second chance meeting with Manu, the movie traces the relationship between the girl and the NRI. Surely, perfect material for sentimental romances with ‘comedy ka tadka’.

But there is something missing to make it a perfect romantic comedy. First, the script is punctured, then their is no chemistry between Madhavan and Kangana and if that was not enough, the narrative doesn’t flow at the desired pace – it’s slower than it should be.

Though the director picked up an interesting subject, he has not succeeded in executing his story effectively on screen – there are not enough laughs in the film. Whatever funny scenes are there, credit goes to the chemistry between Madhavan and Deepak Dobriyal who plays his friend Pappi.

Kangana’s dialogue delivery puts you off and she lacks the spunk and spark to play the free bird that she is in the movie. In fact, Swara Bhaskar, who plays her friend Payal, holds the fort as the Bihari girl who is marrying a sardarji (Eijaz Khan) who also happens to be Manu’s best friend.

Payal is impressed with Manu and even tries to drill some sense into Tanu’s head but Tanu, a rebel, doesn’t want to admit her feelings for the man who is picked by her parents.

Critics won’t appreciate the plot but Madhavan fans would find enough material to enjoy the film.

Music plays an important role in a wedding-based romantic comedy and the director could have got it right if he had opted for fast-paced peppy numbers.

In the performance department, full marks go to Madhavan, Deepak and Swara. The supporting cast of K.K. Raina, Rajendra Gupta and Navni Parihar don’t have much to do, but whatever role they have, they carry it well. Jimmy Shergill as Kangana’s ruffian boyfriend is wasted, so is Ravi Kishen as his side kick.


tags:- tanu weds manu, tanu weds manu movie, tanu weds manu cast, manu weds tanu,